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Pagina 231
The neutral variations , white to black through the grays , are represented along
the vertical axis from upper to lower apex ; the saturated hues lie on the
circumference of the double base ; the pure light variations ( which may be
thought of as ...
The neutral variations , white to black through the grays , are represented along
the vertical axis from upper to lower apex ; the saturated hues lie on the
circumference of the double base ; the pure light variations ( which may be
thought of as ...
Pagina 308
what is represented . To one who feels the language of pictorial form all depends
on how it is presented , nothing on what . Rembrandt expressed his profoundest
feelings just as well when he painted a carcass hanging up in a butcher's shop ...
what is represented . To one who feels the language of pictorial form all depends
on how it is presented , nothing on what . Rembrandt expressed his profoundest
feelings just as well when he painted a carcass hanging up in a butcher's shop ...
Pagina 417
of special directions and individual works , this sensibility represents what is
generic , and productive of the divergent ... We will begin , in a simple way , by
comparing the objects represented in both of them , perhaps a man , a house , a
...
of special directions and individual works , this sensibility represents what is
generic , and productive of the divergent ... We will begin , in a simple way , by
comparing the objects represented in both of them , perhaps a man , a house , a
...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |