A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 78
Pagina 86
... result of a choice that is con- tinually being renewed . There are points - at all events there seem to be - all along the way , where we may branch off , and we perceive many possible direc- tions though we are unable to take more than ...
... result of a choice that is con- tinually being renewed . There are points - at all events there seem to be - all along the way , where we may branch off , and we perceive many possible direc- tions though we are unable to take more than ...
Pagina 113
... result of a long and complex process of exploration , as well as construction . This is true even of a painter . The notion that a painter suddenly imagines a composition expressive of his feeling and straightway puts it down , is ...
... result of a long and complex process of exploration , as well as construction . This is true even of a painter . The notion that a painter suddenly imagines a composition expressive of his feeling and straightway puts it down , is ...
Pagina 192
... result of scientific materialism , and partly the result of the abstractions of political economy . An illustration of my point is to be found in Macaulay's essay criticizing Southey's Colloquies on Society . It was written in 1830. Now ...
... result of scientific materialism , and partly the result of the abstractions of political economy . An illustration of my point is to be found in Macaulay's essay criticizing Southey's Colloquies on Society . It was written in 1830. Now ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York