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Pagina 221
For this is what we mean by the term “ literary composition . ” But if all that
happens is the passage of a series of private images , feelings , or symbols , this
is not literary composition nor its result a work of art . Much of this applies also to
music .
For this is what we mean by the term “ literary composition . ” But if all that
happens is the passage of a series of private images , feelings , or symbols , this
is not literary composition nor its result a work of art . Much of this applies also to
music .
Pagina 377
I now feel this striving , which in this case , too , remains “ my ” striving , to be the
result of the pressure of the stone or of the stone which exerts this pressure .
Accordingly I now say : The stone strives . And when it falls , the falling is an
activity of ...
I now feel this striving , which in this case , too , remains “ my ” striving , to be the
result of the pressure of the stone or of the stone which exerts this pressure .
Accordingly I now say : The stone strives . And when it falls , the falling is an
activity of ...
Pagina 500
... fight at Salamis and the battle with the Carthaginians in Sicily took place at the
same time , but did not tend to any one result , so in the sequence of events , one
thing sometimes follows another , and yet no single result is thereby produced .
... fight at Salamis and the battle with the Carthaginians in Sicily took place at the
same time , but did not tend to any one result , so in the sequence of events , one
thing sometimes follows another , and yet no single result is thereby produced .
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |