A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 33
Pagina 154
... Rhythm secures the heightening of physiological con- sciousness so as to shut out sensory perception of the environment . In the rhythm of dance , music or song we become self - conscious instead of conscious . The rhythm of heart ...
... Rhythm secures the heightening of physiological con- sciousness so as to shut out sensory perception of the environment . In the rhythm of dance , music or song we become self - conscious instead of conscious . The rhythm of heart ...
Pagina 327
... rhythm may seem to be opposed to balance . Yet an analysis of rhythm shows it to be built upon the two fundamental esthetic forms , thematic repetition and balance . For what are the typical characteristics of rhythm ? Every rhythm is a ...
... rhythm may seem to be opposed to balance . Yet an analysis of rhythm shows it to be built upon the two fundamental esthetic forms , thematic repetition and balance . For what are the typical characteristics of rhythm ? Every rhythm is a ...
Pagina 328
... rhythm . Rhythm often replaces right - and - left balance in wall paintings , as in those of Puvis de Chavannes . In the Metropolitan Museum he has two paintings , both decorative sketches , which illustrate this : " Inter Artes et ...
... rhythm . Rhythm often replaces right - and - left balance in wall paintings , as in those of Puvis de Chavannes . In the Metropolitan Museum he has two paintings , both decorative sketches , which illustrate this : " Inter Artes et ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
12 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York