A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 94
... romanticism asks of art , above all , the spontaneous and violent effusion of the affections , of love and hate , of ... romantics ) , what is the use of an art , 1 Croce here employs the terms " imagination " and " fancy " in a sense ...
... romanticism asks of art , above all , the spontaneous and violent effusion of the affections , of love and hate , of ... romantics ) , what is the use of an art , 1 Croce here employs the terms " imagination " and " fancy " in a sense ...
Pagina 122
... Romanticism and its opposite . In regard to all esthetic values I now avail myself of this fundamental distinction : in every individual case I ask myself has hunger or has superabundance been creative here ? At first another ...
... Romanticism and its opposite . In regard to all esthetic values I now avail myself of this fundamental distinction : in every individual case I ask myself has hunger or has superabundance been creative here ? At first another ...
Pagina 413
... romanticism and realism approach each other and re- veal their common realistic roots . Products of this nature are only partially works of art , or artistic objects . To enjoy them it is not necessary to have any power to adjust one's ...
... romanticism and realism approach each other and re- veal their common realistic roots . Products of this nature are only partially works of art , or artistic objects . To enjoy them it is not necessary to have any power to adjust one's ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York