A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 53
Pagina 155
... scientific book or a book of poetry in conditions where others cannot . This kind of introversion does not therefore depend upon the order of the words . No one has suggested facilitating scientific writing by making it metrical . But ...
... scientific book or a book of poetry in conditions where others cannot . This kind of introversion does not therefore depend upon the order of the words . No one has suggested facilitating scientific writing by making it metrical . But ...
Pagina 243
... scientific , the esthetic , and the technological ) , and that all other forms are secondary , that is , are a function of these primary forms.2 A brief characterization of the three primary forms of discourse will provide an ...
... scientific , the esthetic , and the technological ) , and that all other forms are secondary , that is , are a function of these primary forms.2 A brief characterization of the three primary forms of discourse will provide an ...
Pagina 247
... scientific question . Further , the scientist may be helped in the scientific study of values by the vivid portrayal of the value whose conditions he endeavors to trace . He may obtain stimulation through the esthetic presentation of ...
... scientific question . Further , the scientist may be helped in the scientific study of values by the vivid portrayal of the value whose conditions he endeavors to trace . He may obtain stimulation through the esthetic presentation of ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York