A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 53
Pagina 155
... scientific book or a book of poetry in conditions where others cannot . This kind of introversion does not therefore de- pend upon the order of the words . No one has suggested facilitating scientific writing by making it metrical . But ...
... scientific book or a book of poetry in conditions where others cannot . This kind of introversion does not therefore de- pend upon the order of the words . No one has suggested facilitating scientific writing by making it metrical . But ...
Pagina 243
... scientific , the esthetic , and the technological ) , and that all other forms are secondary , that is , are a function of these primary forms.2 A brief characterization of the three primary forms of discourse will provide an ...
... scientific , the esthetic , and the technological ) , and that all other forms are secondary , that is , are a function of these primary forms.2 A brief characterization of the three primary forms of discourse will provide an ...
Pagina 247
... scientific question . Further , the scientist may be helped in the scientific study of values by the vivid portrayal of the value whose conditions he endeavors to trace . He may obtain stimulation through the esthetic presentation of ...
... scientific question . Further , the scientist may be helped in the scientific study of values by the vivid portrayal of the value whose conditions he endeavors to trace . He may obtain stimulation through the esthetic presentation of ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York