A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 30
Pagina 325
... sculpture ; the recurrence of the theme in music ; the recurrence of the same type of foot in meter ; repetition of the same color in painting ; recurrence of lines and directions of lines ( paral- lelism ) in painting and sculpture and ...
... sculpture ; the recurrence of the theme in music ; the recurrence of the same type of foot in meter ; repetition of the same color in painting ; recurrence of lines and directions of lines ( paral- lelism ) in painting and sculpture and ...
Pagina 402
... Sculpture , in part through the gross misconceptions to which it is exposed , in part owing to a complete lack of standards of bodily perfection , and an inability to realize the distinction between sculptural form and bodily shape ...
... Sculpture , in part through the gross misconceptions to which it is exposed , in part owing to a complete lack of standards of bodily perfection , and an inability to realize the distinction between sculptural form and bodily shape ...
Pagina 408
... sculpture , one dis- tancing factor of presentment is its lack of color . The esthetic , or rather inesthetic effect of realistic coloring , is in no way touched by the controversial question of its use historically ; its attempted ...
... sculpture , one dis- tancing factor of presentment is its lack of color . The esthetic , or rather inesthetic effect of realistic coloring , is in no way touched by the controversial question of its use historically ; its attempted ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York