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Pagina 225
He is possessed , as so often is the case with him , by a fundamental truth , so intensely that he seems incapable of apprehending what more is absolutely necessary to its realization . Beauty , he sees , is for the mind and in the mind ...
He is possessed , as so often is the case with him , by a fundamental truth , so intensely that he seems incapable of apprehending what more is absolutely necessary to its realization . Beauty , he sees , is for the mind and in the mind ...
Pagina 281
... Blake's manifestoes ; but equally , though less obtrusively , with every passage which seems to make a statement , or depend upon an assumption , that a reader may dissent from , without thereby giving proof of mental derangement .
... Blake's manifestoes ; but equally , though less obtrusively , with every passage which seems to make a statement , or depend upon an assumption , that a reader may dissent from , without thereby giving proof of mental derangement .
Pagina 296
These strange landscapes and violent variations in the weather conditions that so many compositions seem to suggest are , we may suppose , the symbols for experiences that are less trivial than they seem . They are merely unsuccessful ...
These strange landscapes and violent variations in the weather conditions that so many compositions seem to suggest are , we may suppose , the symbols for experiences that are less trivial than they seem . They are merely unsuccessful ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |