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Pagina 225
He is possessed , as so often is the case with him , by a fundamental truth , so intensely that he seems incapable of apprehending what more is absolutely necessary to its realization . Beauty , he sees , is for the mind and in the mind ...
He is possessed , as so often is the case with him , by a fundamental truth , so intensely that he seems incapable of apprehending what more is absolutely necessary to its realization . Beauty , he sees , is for the mind and in the mind ...
Pagina 281
... Blake's manifestoes ; but equally , though less obtrusively , with every passage which seems to make a statement , or depend upon an assumption , that a reader may dissent from , without thereby giving proof of mental derangement .
... Blake's manifestoes ; but equally , though less obtrusively , with every passage which seems to make a statement , or depend upon an assumption , that a reader may dissent from , without thereby giving proof of mental derangement .
Pagina 296
These strange landscapes and violent variations in the weather conditions that so many compositions seem to suggest are , we may suppose , the symbols for experiences that are less trivial than they seem . They are merely unsuccessful ...
These strange landscapes and violent variations in the weather conditions that so many compositions seem to suggest are , we may suppose , the symbols for experiences that are less trivial than they seem . They are merely unsuccessful ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |