A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 225
... seems incapable of apprehending what more is absolutely necessary to its realization . Beauty , he sees , is for the mind and in the mind . A physical thing , supposed unperceived and unfelt , can- not be said in the full sense to ...
... seems incapable of apprehending what more is absolutely necessary to its realization . Beauty , he sees , is for the mind and in the mind . A physical thing , supposed unperceived and unfelt , can- not be said in the full sense to ...
Pagina 281
... seems to make a statement , or depend upon an assumption , that a reader may dissent from , without thereby giving proof of mental derangement . It is essential to recognize that the problem is the same whether the pos- sible stumbling ...
... seems to make a statement , or depend upon an assumption , that a reader may dissent from , without thereby giving proof of mental derangement . It is essential to recognize that the problem is the same whether the pos- sible stumbling ...
Pagina 296
... seems to have little more relation to the composition than would a news- paper report of a street accident . But ... seem to suggest are , we may suppose , the symbols for experiences that are less trivial than they seem . They are ...
... seems to have little more relation to the composition than would a news- paper report of a street accident . But ... seem to suggest are , we may suppose , the symbols for experiences that are less trivial than they seem . They are ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York