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Pagina 225
He is possessed , as so often is the case with him , by a fundamental truth , so
intensely that he seems incapable of apprehending what more is absolutely
necessary to its realization . Beauty , he sees , is for the mind and in the mind .
He is possessed , as so often is the case with him , by a fundamental truth , so
intensely that he seems incapable of apprehending what more is absolutely
necessary to its realization . Beauty , he sees , is for the mind and in the mind .
Pagina 281
... with Blake ' s manifestoes ; but equally , though less obtrusively , with every
passage which seems to make a statement , or depend upon an assumption ,
that a reader may dissent from , without thereby giving proof of mental
derangement .
... with Blake ' s manifestoes ; but equally , though less obtrusively , with every
passage which seems to make a statement , or depend upon an assumption ,
that a reader may dissent from , without thereby giving proof of mental
derangement .
Pagina 322
This unique expression , which cannot be replaced by any other , still seems to
be trying to express something beyond itself . And this , we feel , is also what the
other arts , and religion , and philosophy are trying to express : and that is what ...
This unique expression , which cannot be replaced by any other , still seems to
be trying to express something beyond itself . And this , we feel , is also what the
other arts , and religion , and philosophy are trying to express : and that is what ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |