A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 47
Pagina 33
... sensation , a thing invisible and intangible , which art , consequently , cannot directly reproduce . Is it the imitation or the copy of the sensations produced in us by the thing ? But the sensations attain the consciousness of each ...
... sensation , a thing invisible and intangible , which art , consequently , cannot directly reproduce . Is it the imitation or the copy of the sensations produced in us by the thing ? But the sensations attain the consciousness of each ...
Pagina 79
... sensation and the other stages of human activity . Value : the morally good ; disvalue , the morally evil . Sensation is passive ; art is active . Art is not mere passive perception or daydreaming ; it is inner vision formulated in ...
... sensation and the other stages of human activity . Value : the morally good ; disvalue , the morally evil . Sensation is passive ; art is active . Art is not mere passive perception or daydreaming ; it is inner vision formulated in ...
Pagina 101
... sensation , but not so much simple sensation as association of sensations . Here a double meaning is concealed in the word " association . " Association is understood , either as memory , mnemonic association , conscious recollection ...
... sensation , but not so much simple sensation as association of sensations . Here a double meaning is concealed in the word " association . " Association is understood , either as memory , mnemonic association , conscious recollection ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York