A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 47
Pagina xxiv
... sensation blends with sensation to create a new quality ( for instance , when notes combine to form a chord ) , so feeling or desire blends with sensation to create the esthetic effect . To depict the artist as he is sometimes depicted ...
... sensation blends with sensation to create a new quality ( for instance , when notes combine to form a chord ) , so feeling or desire blends with sensation to create the esthetic effect . To depict the artist as he is sometimes depicted ...
Pagina 79
... sensation and the other stages of human activity . Sensation is passive ; art is active . Art is not mere passive perception or day- dreaming ; it is inner vision formulated in images . Halfway between the pas- sivity of sensation and ...
... sensation and the other stages of human activity . Sensation is passive ; art is active . Art is not mere passive perception or day- dreaming ; it is inner vision formulated in images . Halfway between the pas- sivity of sensation and ...
Pagina 101
... sensation , but not so much simple sensation as association of sensations . Here a double meaning is concealed in the word " association . " Association is under- stood , either as memory , mnemonic association , conscious recollection ...
... sensation , but not so much simple sensation as association of sensations . Here a double meaning is concealed in the word " association . " Association is under- stood , either as memory , mnemonic association , conscious recollection ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York