A Modern Book of Esthetics: An Anthology |
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Pagina 33
But that is an object of conception, not of sensation, a thing invisible and
intangible, which art, consequently, cannot directly reproduce. Is it the imitation or
the copy of the sensations produced in us by the thingr But the sensations attain
the ...
But that is an object of conception, not of sensation, a thing invisible and
intangible, which art, consequently, cannot directly reproduce. Is it the imitation or
the copy of the sensations produced in us by the thingr But the sensations attain
the ...
Pagina 79
Esthetic philosophy, for Croce, consists in explaining the nature of art as intuition,
and in contrasting art with sensation and the other stages of human activity.
Sensation is passive; art is active. Art is not mere passive perception or
daydreaming ...
Esthetic philosophy, for Croce, consists in explaining the nature of art as intuition,
and in contrasting art with sensation and the other stages of human activity.
Sensation is passive; art is active. Art is not mere passive perception or
daydreaming ...
Pagina 101
Intuition has sometimes been confused with simple sensation. But since this
confusion ends by being offensive to common sense, it has more frequently been
attenuated or concealed with a phraseology apparently designed at once to ...
Intuition has sometimes been confused with simple sensation. But since this
confusion ends by being offensive to common sense, it has more frequently been
attenuated or concealed with a phraseology apparently designed at once to ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York