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Pagina 239
sense departments may be very similar with respect to form . Each of the sounds , takete and uloomu , fits perfectly one of the visual designs , but not the other . The impressions are different in content - one is visual and the other ...
sense departments may be very similar with respect to form . Each of the sounds , takete and uloomu , fits perfectly one of the visual designs , but not the other . The impressions are different in content - one is visual and the other ...
Pagina 382
sense - feelings which a real man would have who thus arises , do not exist for my esthetic contemplation , any more than my own sense - feelings so exist . What I immediately intuit in the plastic form is its willing , the power ...
sense - feelings which a real man would have who thus arises , do not exist for my esthetic contemplation , any more than my own sense - feelings so exist . What I immediately intuit in the plastic form is its willing , the power ...
Pagina 484
All real greatness seems to imply this grasp of the complex , with a sense of proportion and relevance . The difference between thought and practice , on the one hand , and art on the other , is the difference between thought - and ...
All real greatness seems to imply this grasp of the complex , with a sense of proportion and relevance . The difference between thought and practice , on the one hand , and art on the other , is the difference between thought - and ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York