Dall'interno del libro
Risultati 1-3 di 89
Pagina xvi
Neither Plato nor Aristotle , for example , favors imitation in the sense of non -
expressive copying . Plato refers to the painters and poets that he condemns as
mere imitators ; but in many passages , he recognizes the existence and value of
...
Neither Plato nor Aristotle , for example , favors imitation in the sense of non -
expressive copying . Plato refers to the painters and poets that he condemns as
mere imitators ; but in many passages , he recognizes the existence and value of
...
Pagina 239
sense departments may be very similar with respect to form . Each of the sounds ,
takete and uloomu , fits perfectly one of the visual designs , but not the other . The
impressions are different in content - one is visual and the other auditorybut ...
sense departments may be very similar with respect to form . Each of the sounds ,
takete and uloomu , fits perfectly one of the visual designs , but not the other . The
impressions are different in content - one is visual and the other auditorybut ...
Pagina 484
All real greatness seems to imply this grasp of the complex , with a sense of
proportion and relevance . The difference between thought and practice , on the
one hand , and art on the other , is the difference between thought - and - practice
...
All real greatness seems to imply this grasp of the complex , with a sense of
proportion and relevance . The difference between thought and practice , on the
one hand , and art on the other , is the difference between thought - and - practice
...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |