A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 33
Pagina 213
... sensuous qualities , such as line , shape , and color in the visual arts , or pitch , timbre , and degree of loudness in the auditory arts , may be considered apart from the particular medium and form of art ( color , for example , is ...
... sensuous qualities , such as line , shape , and color in the visual arts , or pitch , timbre , and degree of loudness in the auditory arts , may be considered apart from the particular medium and form of art ( color , for example , is ...
Pagina 227
... sensuous , and sensu- ous in immediate connection with other physical properties and experiences . This applies both to music and to language . All this later argument of ours , starting from the importance of medium and technique , has ...
... sensuous , and sensu- ous in immediate connection with other physical properties and experiences . This applies both to music and to language . All this later argument of ours , starting from the importance of medium and technique , has ...
Pagina 374
... sensuous , that is , sensuously perceived or imagined , and it is only this . I have a feeling of joy before a beautiful object : this means that I have this feeling in viewing the sensuous perception or image , in which form the beauti ...
... sensuous , that is , sensuously perceived or imagined , and it is only this . I have a feeling of joy before a beautiful object : this means that I have this feeling in viewing the sensuous perception or image , in which form the beauti ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York