A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 61
Pagina 198
... shape of a leaf , a picture of it in my mind.— But what does the picture of a leaf look like when it does not show us any par- ticular shape , but " what is common to all shapes of leaf ? " Which shade is the " sample in my mind " of ...
... shape of a leaf , a picture of it in my mind.— But what does the picture of a leaf look like when it does not show us any par- ticular shape , but " what is common to all shapes of leaf ? " Which shade is the " sample in my mind " of ...
Pagina 250
... shape . Perhaps the easiest way to grasp the idea of “ logical form " is to trace its derivation . Let us consider the most obvious sort of form , the shape of an object , say a lampshade . In any department store you will find a wide ...
... shape . Perhaps the easiest way to grasp the idea of “ logical form " is to trace its derivation . Let us consider the most obvious sort of form , the shape of an object , say a lampshade . In any department store you will find a wide ...
Pagina 325
... shape , there is some dominant color that appears again and again or in related degrees of saturation , or else there is a color chord that is similarly repeated or is analyzed . In architec- ture , each style has its characteristic shape ...
... shape , there is some dominant color that appears again and again or in related degrees of saturation , or else there is a color chord that is similarly repeated or is analyzed . In architec- ture , each style has its characteristic shape ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York