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Pagina 198
Compare with this a case in which I show him figures of different shapes all painted the same color , and say ... So if I am shown various different leaves and told “ This is called a ' leaf , ' ” I get an idea of the shape of a leaf ...
Compare with this a case in which I show him figures of different shapes all painted the same color , and say ... So if I am shown various different leaves and told “ This is called a ' leaf , ' ” I get an idea of the shape of a leaf ...
Pagina 250
a a meaning , namely just the shape of a thing , and on the other hand to the quite unpopular meaning it has in science and philosophy , where it designates something more abstract ; " form " in its most abstract sense means structure ...
a a meaning , namely just the shape of a thing , and on the other hand to the quite unpopular meaning it has in science and philosophy , where it designates something more abstract ; " form " in its most abstract sense means structure ...
Pagina 325
eral ) pre - eminent shape , color , line , melodic pattern or meaning , in which is concentrated the characteristic value ... Thus every good pattern is built up of one or more shapes , the disposition of which constitutes the design .
eral ) pre - eminent shape , color , line , melodic pattern or meaning , in which is concentrated the characteristic value ... Thus every good pattern is built up of one or more shapes , the disposition of which constitutes the design .
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular pattern perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |