A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 33
Pagina 296
... significance dancing elves , murmuring brooks and thunderstorms may have in the imagination of the descriptive writer . Such programs are merely unintelligible . A man thinks of what symbols he can , and the symbols he invents are ...
... significance dancing elves , murmuring brooks and thunderstorms may have in the imagination of the descriptive writer . Such programs are merely unintelligible . A man thinks of what symbols he can , and the symbols he invents are ...
Pagina 302
... significance of art " is unrelated to the significance of life , " this so - called " metaphysical hy- pothesis ” remains extremely vague . Perhaps we may interpret it as meaning that the artist emulates , without definitely imitating ...
... significance of art " is unrelated to the significance of life , " this so - called " metaphysical hy- pothesis ” remains extremely vague . Perhaps we may interpret it as meaning that the artist emulates , without definitely imitating ...
Pagina 331
... significance for the development of the plot , or in a musical composition a single passage , like the Liebestod in Tristan , which overshadows the remainder of the composition or is the climax of its movement . Every dramatic species ...
... significance for the development of the plot , or in a musical composition a single passage , like the Liebestod in Tristan , which overshadows the remainder of the composition or is the climax of its movement . Every dramatic species ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York