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Pagina 96
A series of images which seem to be , each in turn , rich in power of conviction , leaves us nevertheless de- luded and diffident , because we do not see them generated from a state of the soul , from a " sketch " ( as the painters call ...
A series of images which seem to be , each in turn , rich in power of conviction , leaves us nevertheless de- luded and diffident , because we do not see them generated from a state of the soul , from a " sketch " ( as the painters call ...
Pagina 191
This fertilization of the soul is the reason for the necessity of art . A static value , however serious and important , becomes unendurable by its appalling monotony of endurance . The soul cries aloud for release into change .
This fertilization of the soul is the reason for the necessity of art . A static value , however serious and important , becomes unendurable by its appalling monotony of endurance . The soul cries aloud for release into change .
Pagina 227
The point of the esthetic attitude lies in the adequate fusion of body and soul , where the soul is a feeling , and the body its expression , without residue on either side . -Three Lectures on Esthetic ( 1915 ) DAVID WIGHT PRALL ...
The point of the esthetic attitude lies in the adequate fusion of body and soul , where the soul is a feeling , and the body its expression , without residue on either side . -Three Lectures on Esthetic ( 1915 ) DAVID WIGHT PRALL ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |