A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 69
Pagina 228
... sound and color to see what we can discover in them that will explain , namely , make intelligible , the structures of music and painting . What we do find are non - numerical , non - spatial , non - temporal serial rela- tions ...
... sound and color to see what we can discover in them that will explain , namely , make intelligible , the structures of music and painting . What we do find are non - numerical , non - spatial , non - temporal serial rela- tions ...
Pagina 229
... sound ( and we distinguish sounds from noises by just this criterion that they have clearly perceptible pitch ) lies ... sound can be removed from this given pitch order . Nor can anything enter this order except sounds . By virtue of ...
... sound ( and we distinguish sounds from noises by just this criterion that they have clearly perceptible pitch ) lies ... sound can be removed from this given pitch order . Nor can anything enter this order except sounds . By virtue of ...
Pagina 233
... sound . Two different orders must combine , so to speak , if we are to have any con- crete pattern at all . Philosophically this was recognized by Plato in the notion of the communication of the categories . Since every sound in order ...
... sound . Two different orders must combine , so to speak , if we are to have any con- crete pattern at all . Philosophically this was recognized by Plato in the notion of the communication of the categories . Since every sound in order ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York