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Pagina 228
But the situation is complicated by the fact that these serial orders are not of the concrete sounds , not of hearable ... As a geometrical structure may vary in length while it remains the same in breadth , so sound can vary in pitch ...
But the situation is complicated by the fact that these serial orders are not of the concrete sounds , not of hearable ... As a geometrical structure may vary in length while it remains the same in breadth , so sound can vary in pitch ...
Pagina 229
If B is higher in pitch than A , and C is higher in pitch than B , then C is higher in pitch than A. It is clear then that every sound ( and we distinguish sounds from noises by just this criterion that they have clearly perceptible ...
If B is higher in pitch than A , and C is higher in pitch than B , then C is higher in pitch than A. It is clear then that every sound ( and we distinguish sounds from noises by just this criterion that they have clearly perceptible ...
Pagina 233
Since every sound in order to be heard , and every color in order to be seen , must be more than pitch and loudness in the one case , more than hue and saturation and brightness in the other , spatial and temporal structure and the ...
Since every sound in order to be heard , and every color in order to be seen , must be more than pitch and loudness in the one case , more than hue and saturation and brightness in the other , spatial and temporal structure and the ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |