A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 69
Pagina 228
... sound and color to see what we can discover in them that will explain , namely , make intelligible , the structures of music and painting . What we do find are non - numerical , non - spatial , non - temporal serial rela- tions ...
... sound and color to see what we can discover in them that will explain , namely , make intelligible , the structures of music and painting . What we do find are non - numerical , non - spatial , non - temporal serial rela- tions ...
Pagina 229
... sound ( and we distinguish sounds from noises by just this criterion that they have clearly perceptible pitch ) lies ... sound can be removed from this given pitch order . Nor can anything enter this order except sounds . By virtue of ...
... sound ( and we distinguish sounds from noises by just this criterion that they have clearly perceptible pitch ) lies ... sound can be removed from this given pitch order . Nor can anything enter this order except sounds . By virtue of ...
Pagina 233
... sound . any con- Two different orders must combine , so to speak , if we are to have crete pattern at all . Philosophically this was recognized by Plato in the notion of the communication of the categories . Since every sound in order ...
... sound . any con- Two different orders must combine , so to speak , if we are to have crete pattern at all . Philosophically this was recognized by Plato in the notion of the communication of the categories . Since every sound in order ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York