A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 67
Pagina 27
... speak of beautiful sights and beautiful sounds . But in reference to the other objects of the other senses , we do not use the expression beautiful , for we do not speak of beau- tiful tastes , and beautiful odors . Thus it is evident ...
... speak of beautiful sights and beautiful sounds . But in reference to the other objects of the other senses , we do not use the expression beautiful , for we do not speak of beau- tiful tastes , and beautiful odors . Thus it is evident ...
Pagina 95
... speak to the heart ? And if it do speak to the heart , what is the use if the images be not beautiful ? And the others will say , What is the use of the shock of the passions , if the spirit do not rest upon a beautiful image ? And if ...
... speak to the heart ? And if it do speak to the heart , what is the use if the images be not beautiful ? And the others will say , What is the use of the shock of the passions , if the spirit do not rest upon a beautiful image ? And if ...
Pagina 317
... speaking loosely , that in this poet or poem the aspect of substance is the more noticeable , and in that the aspect ... speak loosely again , the action and characters ( more of them than you can conceive apart ) are focused ; but your ...
... speaking loosely , that in this poet or poem the aspect of substance is the more noticeable , and in that the aspect ... speak loosely again , the action and characters ( more of them than you can conceive apart ) are focused ; but your ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York