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Pagina 100
Without matter spiritual activity would not forsake its abstractness to become concrete and real activity , this or ... Some confound the spiritual activity of man with the metaphorical and mythological activity of what is called nature ...
Without matter spiritual activity would not forsake its abstractness to become concrete and real activity , this or ... Some confound the spiritual activity of man with the metaphorical and mythological activity of what is called nature ...
Pagina 294
If , therefore , we find that some compositions irresistibly suggest to us some spiritual context we need not resist this impulse on theoretical grounds . We need not suppose that we are the victims of a literary culture and an ...
If , therefore , we find that some compositions irresistibly suggest to us some spiritual context we need not resist this impulse on theoretical grounds . We need not suppose that we are the victims of a literary culture and an ...
Pagina 299
But the critic who should deny any spiritual content whatever to the A minor quartet , who should fail to see that it could only germinate in the soil of some profound experience , would fail even more signally than Marx .
But the critic who should deny any spiritual content whatever to the A minor quartet , who should fail to see that it could only germinate in the soil of some profound experience , would fail even more signally than Marx .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York