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Pagina 100
Without matter spiritual activity would not forsake its abstractness to become concrete and real activity , this or ... Some confound the spiritual activity of man with the metaphorical and mythological activity of what is called nature ...
Without matter spiritual activity would not forsake its abstractness to become concrete and real activity , this or ... Some confound the spiritual activity of man with the metaphorical and mythological activity of what is called nature ...
Pagina 294
If , therefore , we find that some compositions irresistibly suggest to us some spiritual context we need not resist this impulse on theoretical grounds . We need not suppose that we are the victims of a literary culture and an ...
If , therefore , we find that some compositions irresistibly suggest to us some spiritual context we need not resist this impulse on theoretical grounds . We need not suppose that we are the victims of a literary culture and an ...
Pagina 299
But the critic who should deny any spiritual content whatever to the A minor quartet , who should fail to see that it could only germinate in the soil of some profound experience , would fail even more signally than Marx .
But the critic who should deny any spiritual content whatever to the A minor quartet , who should fail to see that it could only germinate in the soil of some profound experience , would fail even more signally than Marx .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York