A Modern Book of Esthetics: An Anthology |
Dall'interno del libro
Risultati 1-3 di 48
Pagina 100
It is the matter, the content, which differentiates one of our intuitions from another:
the form is constant: it is spiritual activity, while matter is changeable. Without
matter spiritual activity would not forsake its abstractness to become concrete and
...
It is the matter, the content, which differentiates one of our intuitions from another:
the form is constant: it is spiritual activity, while matter is changeable. Without
matter spiritual activity would not forsake its abstractness to become concrete and
...
Pagina 294
If, therefore, we find that some compositions irresistibly suggest to us some
spiritual context we need not resist this impulse on theoretical grounds. We need
not suppose that we are the victims of a literary culture and an imperfectly
developed ...
If, therefore, we find that some compositions irresistibly suggest to us some
spiritual context we need not resist this impulse on theoretical grounds. We need
not suppose that we are the victims of a literary culture and an imperfectly
developed ...
Pagina 299
But the critic who should deny any spiritual content whatever to the A minor
quartet, who should fail to see that it could only germinate in the soil of some
profound experience, would fail even more signally than Marx. The function of the
kind of ...
But the critic who should deny any spiritual content whatever to the A minor
quartet, who should fail to see that it could only germinate in the soil of some
profound experience, would fail even more signally than Marx. The function of the
kind of ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York