A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 336
... style " or the " style of a civilization . " For the archeologist , style is exemplified in a motive or pattern , or in some directly grasped quality of the work of art , which helps him to localize and date the work and to establish ...
... style " or the " style of a civilization . " For the archeologist , style is exemplified in a motive or pattern , or in some directly grasped quality of the work of art , which helps him to localize and date the work and to establish ...
Pagina 337
... style as a value term ; style as such is a quality and the critic can say of a painter that he has " style " or of a writer that he is a " stylist . " Although " style " in this normative sense , which is applied mainly to individual ...
... style as a value term ; style as such is a quality and the critic can say of a painter that he has " style " or of a writer that he is a " stylist . " Although " style " in this normative sense , which is applied mainly to individual ...
Pagina 344
... style of the original . Hence the strange juxtapositions of styles within some medieval objects . It should be said , however , that some styles , by virtue of their open , irregular forms , can tolerate the unfinished and heterogeneous ...
... style of the original . Hence the strange juxtapositions of styles within some medieval objects . It should be said , however , that some styles , by virtue of their open , irregular forms , can tolerate the unfinished and heterogeneous ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting pattern perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York