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Pagina 336
MEYER SCHAPIRO Style I By style is meant the constant form - and sometimes the constant elements , qualities , and expression - in the art of an individual or a group . The term is also applied to the whole activity of an individual or ...
MEYER SCHAPIRO Style I By style is meant the constant form - and sometimes the constant elements , qualities , and expression - in the art of an individual or a group . The term is also applied to the whole activity of an individual or ...
Pagina 337
In this sense one speaks of Classical or Medieval or Renaissance Man with respect to common traits discovered in the art styles of these epochs and documented also in religious and philosophical writings . The critic , like the artist ...
In this sense one speaks of Classical or Medieval or Renaissance Man with respect to common traits discovered in the art styles of these epochs and documented also in religious and philosophical writings . The critic , like the artist ...
Pagina 464
The style of a work of art is a function of the composition as a whole , regarded as an historical phenomenon . Every artist has his own individual style ( or styles ) , and so has every school , nation , period , and culture .
The style of a work of art is a function of the composition as a whole , regarded as an historical phenomenon . Every artist has his own individual style ( or styles ) , and so has every school , nation , period , and culture .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |