A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 336
An Anthology Melvin Miller Rader. MEYER SCHAPIRO Style I By style is meant the constant form - and sometimes the constant elements , qualities , and expression - in the art of an individual or a group . The term is also applied to the ...
An Anthology Melvin Miller Rader. MEYER SCHAPIRO Style I By style is meant the constant form - and sometimes the constant elements , qualities , and expression - in the art of an individual or a group . The term is also applied to the ...
Pagina 337
... style as a value term ; style as such is a quality and the critic can say of a painter that he has " style " or of a writer that he is a " stylist . " Although " style " in this normative sense , which is applied mainly to individual ...
... style as a value term ; style as such is a quality and the critic can say of a painter that he has " style " or of a writer that he is a " stylist . " Although " style " in this normative sense , which is applied mainly to individual ...
Pagina 464
... style of a work of art is a function of the composition as a whole , regarded as an historical phenomenon . Every artist has his own individual style ( or styles ) , and so has every school , nation , period , and culture . Style is ...
... style of a work of art is a function of the composition as a whole , regarded as an historical phenomenon . Every artist has his own individual style ( or styles ) , and so has every school , nation , period , and culture . Style is ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York