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Pagina 336
MEYER SCHAPIRO Style I By style is meant the constant form - and sometimes the constant elements , qualities , and expression - in the art of an individual or a group . The term is also applied to the whole activity of an individual or ...
MEYER SCHAPIRO Style I By style is meant the constant form - and sometimes the constant elements , qualities , and expression - in the art of an individual or a group . The term is also applied to the whole activity of an individual or ...
Pagina 337
In this sense one speaks of Classical or Medieval or Renaissance Man with respect to common traits discovered in the art styles of these epochs and documented also in religious and philosophical writings . The critic , like the artist ...
In this sense one speaks of Classical or Medieval or Renaissance Man with respect to common traits discovered in the art styles of these epochs and documented also in religious and philosophical writings . The critic , like the artist ...
Pagina 464
The style of a work of art is a function of the composition as a whole , regarded as an historical phenomenon . Every artist has his own individual style ( or styles ) , and so has every school , nation , period , and culture .
The style of a work of art is a function of the composition as a whole , regarded as an historical phenomenon . Every artist has his own individual style ( or styles ) , and so has every school , nation , period , and culture .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |