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Pagina 336
MEYER SCHAPIRO Style I By style is meant the constant form - and sometimes
the constant elements , qualities , and expression - in the art of an individual or a
group . The term is also applied to the whole activity of an individual or society ...
MEYER SCHAPIRO Style I By style is meant the constant form - and sometimes
the constant elements , qualities , and expression - in the art of an individual or a
group . The term is also applied to the whole activity of an individual or society ...
Pagina 337
In this sense one speaks of Classical or Medieval or Renaissance Man with
respect to common traits discovered in the art styles of these epochs and
documented also in religious and philosophical writings . The critic , like the artist
, tends to ...
In this sense one speaks of Classical or Medieval or Renaissance Man with
respect to common traits discovered in the art styles of these epochs and
documented also in religious and philosophical writings . The critic , like the artist
, tends to ...
Pagina 338
II Styles are not usually defined in a strictly logical way . As with languages , the
definition indicates the time and place of a style or its author , or the historical
relation to other styles , rather than its peculiar features . The characteristics of
styles ...
II Styles are not usually defined in a strictly logical way . As with languages , the
definition indicates the time and place of a style or its author , or the historical
relation to other styles , rather than its peculiar features . The characteristics of
styles ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |