A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 51
Pagina 32
... symbols . Painting imitates with colors and plane forms given things outside us , music imitates with sound and ... symbols of art— by rhythm , sound , line , color , form , volume , words , meter , rhyme and image , the proximate matter ...
... symbols . Painting imitates with colors and plane forms given things outside us , music imitates with sound and ... symbols of art— by rhythm , sound , line , color , form , volume , words , meter , rhyme and image , the proximate matter ...
Pagina 256
... symbolism , a system of symbols with definable though fairly elastic meanings , and rules of combination whereby larger units - phrases , sentences , whole speeches - may be compounded , expressing similarly built - up ideas . Art ...
... symbolism , a system of symbols with definable though fairly elastic meanings , and rules of combination whereby larger units - phrases , sentences , whole speeches - may be compounded , expressing similarly built - up ideas . Art ...
Pagina 257
... symbols may lend richness , intensity , repetition or reflection or a transcendent unrealism , perhaps an entirely new balance to the work itself . But they function in the normal manner of symbols : they mean something be- yond what ...
... symbols may lend richness , intensity , repetition or reflection or a transcendent unrealism , perhaps an entirely new balance to the work itself . But they function in the normal manner of symbols : they mean something be- yond what ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York