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Pagina 32
certain sensible symbols the spontaneous presence in the mind of something over and above such symbols . Painting imitates with colors and plane forms given things outside us , music imitates with sound and rhythms - and dancing with ...
certain sensible symbols the spontaneous presence in the mind of something over and above such symbols . Painting imitates with colors and plane forms given things outside us , music imitates with sound and rhythms - and dancing with ...
Pagina 256
Language is a symbolism , a system of symbols with definable though fairly elastic meanings , and rules of combination whereby larger units - phrases , sentences , whole speeches - may be compounded , expressing similarly built - up ...
Language is a symbolism , a system of symbols with definable though fairly elastic meanings , and rules of combination whereby larger units - phrases , sentences , whole speeches - may be compounded , expressing similarly built - up ...
Pagina 257
The meanings of incorporated symbols may lend richness , intensity , repetition or reflection or a transcendent unrealism , perhaps an entirely new balance to the work itself . But they function in the normal manner of symbols : they ...
The meanings of incorporated symbols may lend richness , intensity , repetition or reflection or a transcendent unrealism , perhaps an entirely new balance to the work itself . But they function in the normal manner of symbols : they ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York