A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 449
... Taste The great variety of Taste , as well as of opinion , which prevails in the world , is too obvious not to have fallen under everyone's observation . Men of the most confined knowledge are able to remark a difference of taste in the ...
... Taste The great variety of Taste , as well as of opinion , which prevails in the world , is too obvious not to have fallen under everyone's observation . Men of the most confined knowledge are able to remark a difference of taste in the ...
Pagina 454
... taste of the one was still equally delicate , and that of the other equally dull and languid : But it would have been more difficult to have proved the superiority of the former , to the conviction of every bystander . In like manner ...
... taste of the one was still equally delicate , and that of the other equally dull and languid : But it would have been more difficult to have proved the superiority of the former , to the conviction of every bystander . In like manner ...
Pagina 457
... taste ; nor has it less influence to corrupt our sentiment of beauty . It belongs to good sense to check its influence in both cases ; and in this respect , as well as in many others , reason , if not an essential part of taste , is at ...
... taste ; nor has it less influence to corrupt our sentiment of beauty . It belongs to good sense to check its influence in both cases ; and in this respect , as well as in many others , reason , if not an essential part of taste , is at ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet C. K. OGDEN called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York