A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 453
... taste or sentiment to its standard . But as our intention in this essay is to mingle some light of the understanding ... taste of leather , which he perceived in it . The other , after using the same precautions , gives also his ...
... taste or sentiment to its standard . But as our intention in this essay is to mingle some light of the understanding ... taste of leather , which he perceived in it . The other , after using the same precautions , gives also his ...
Pagina 454
... taste of the one was still equally delicate , and that of the other equally dull and languid : But it would have been more difficult to have proved the superiority of the former , to the conviction of every bystander . In like manner ...
... taste of the one was still equally delicate , and that of the other equally dull and languid : But it would have been more difficult to have proved the superiority of the former , to the conviction of every bystander . In like manner ...
Pagina 457
... taste ; nor has it less influence to corrupt our sentiment of beauty . It belongs to good sense to check its influence . in both cases ; and in this respect , as well as in many others , reason , if not an essential part of taste , is ...
... taste ; nor has it less influence to corrupt our sentiment of beauty . It belongs to good sense to check its influence . in both cases ; and in this respect , as well as in many others , reason , if not an essential part of taste , is ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting pattern perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York