A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 449
... Taste The great variety of Taste , as well as of opinion , which prevails in the world , is too obvious not to have fallen under everyone's observation . Men of the most confined knowledge are able to remark a difference of taste in the ...
... Taste The great variety of Taste , as well as of opinion , which prevails in the world , is too obvious not to have fallen under everyone's observation . Men of the most confined knowledge are able to remark a difference of taste in the ...
Pagina 453
... taste or sentiment to its standard . But as our intention in this essay is to mingle some light of the understanding ... taste of leather , which he perceived in it . The other , after using the same precautions , gives also his verdict ...
... taste or sentiment to its standard . But as our intention in this essay is to mingle some light of the understanding ... taste of leather , which he perceived in it . The other , after using the same precautions , gives also his verdict ...
Pagina 457
... taste ; nor has it less influence to corrupt our sentiment of beauty . It belongs to good sense to check its influence in both cases ; and in this respect , as well as in many others , reason , if not an essential part of taste , is at ...
... taste ; nor has it less influence to corrupt our sentiment of beauty . It belongs to good sense to check its influence in both cases ; and in this respect , as well as in many others , reason , if not an essential part of taste , is at ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York