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Pagina 200
Each of the great theories of art - Formalism , Voluntarism , Emotionalism , Intellectualism , Intuitionism , Organicism - converges on the attempt to state the defining properties of art . Each claims that it is the true theory because ...
Each of the great theories of art - Formalism , Voluntarism , Emotionalism , Intellectualism , Intuitionism , Organicism - converges on the attempt to state the defining properties of art . Each claims that it is the true theory because ...
Pagina 201
Art , as the logic of the concept shows , has no set of necessary and sufficient properties , hence a theory of it is logically impossible and not merely factually difficult . Esthetic theory tries to define what cannot be defined in ...
Art , as the logic of the concept shows , has no set of necessary and sufficient properties , hence a theory of it is logically impossible and not merely factually difficult . Esthetic theory tries to define what cannot be defined in ...
Pagina 207
But what cannot be maintained is that theories of the evaluative use of " Art " are true and real definitions of the ... what is of the utmost importance are the reasons proffered in the argument for the re- spective theory , that is ...
But what cannot be maintained is that theories of the evaluative use of " Art " are true and real definitions of the ... what is of the utmost importance are the reasons proffered in the argument for the re- spective theory , that is ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |