A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 26
... thing ) . On the other hand , beauty relates to the cognitive faculty ; for beautiful things are those which please when seen . Hence beauty consists in due proportion ; for the senses delight in things duly proportioned , as in what is ...
... thing ) . On the other hand , beauty relates to the cognitive faculty ; for beautiful things are those which please when seen . Hence beauty consists in due proportion ; for the senses delight in things duly proportioned , as in what is ...
Pagina 33
... things , cannot draw this form complete out of his creative spirit : he goes and gathers it first and foremost in the vast treasure of created things , of sensi- tive nature as of the world of souls , and of the interior world of his ...
... things , cannot draw this form complete out of his creative spirit : he goes and gathers it first and foremost in the vast treasure of created things , of sensi- tive nature as of the world of souls , and of the interior world of his ...
Pagina 436
... things . Science makes us believe that it speaks of the thing , and yet informs us merely of the thing's relations to other things in the universe . When- ever we want to grasp one piece of the world , science takes it out of our hand ...
... things . Science makes us believe that it speaks of the thing , and yet informs us merely of the thing's relations to other things in the universe . When- ever we want to grasp one piece of the world , science takes it out of our hand ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York