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Pagina 26
But they differ logically , for goodness properly relates to the appetite ( goodness being what all things desire ) ; and therefore it has the aspect of an end ( the appetite being a kind of movement towards a thing ) .
But they differ logically , for goodness properly relates to the appetite ( goodness being what all things desire ) ; and therefore it has the aspect of an end ( the appetite being a kind of movement towards a thing ) .
Pagina 33
The human artist or poet whose mind is not , like the Divine Mind , the cause of things , cannot draw this form complete out of his creative spirit : he goes and gathers it first and foremost in the vast treasure of created things ...
The human artist or poet whose mind is not , like the Divine Mind , the cause of things , cannot draw this form complete out of his creative spirit : he goes and gathers it first and foremost in the vast treasure of created things ...
Pagina 436
Science makes us believe that it speaks of the thing , and yet informs us merely of the thing's relations to other things in the universe . When- ever we want to grasp one piece of the world , science takes it out of our hand , shows us ...
Science makes us believe that it speaks of the thing , and yet informs us merely of the thing's relations to other things in the universe . When- ever we want to grasp one piece of the world , science takes it out of our hand , shows us ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |