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Pagina 47
Convenience and economy of thought alone determine what combination of our sensations we shall continue to objectify and treat as the cause of the rest . The right and tendency to be objective is equal in all , since they are all prior ...
Convenience and economy of thought alone determine what combination of our sensations we shall continue to objectify and treat as the cause of the rest . The right and tendency to be objective is equal in all , since they are all prior ...
Pagina 371
except that it coalesces with the shape we are looking at ; in short that the rising continuing to be thought , but no longer to be thought of with reference to ourselves ( since we aren't thinking of ourselves ) , is thought of in ...
except that it coalesces with the shape we are looking at ; in short that the rising continuing to be thought , but no longer to be thought of with reference to ourselves ( since we aren't thinking of ourselves ) , is thought of in ...
Pagina 372
And not merely the thought of past rising but the thought also of future rising . All these risings , done by ourselves or watched in others , actually experienced or merely imagined ...
And not merely the thought of past rising but the thought also of future rising . All these risings , done by ourselves or watched in others , actually experienced or merely imagined ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York