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Pagina 89
... we may take into considera- tion the fact that the demonstration of the unreality of the physical world has not only been proved in an indisputable manner and is admitted by all philosophers ( who are not crass materialists and are ...
... we may take into considera- tion the fact that the demonstration of the unreality of the physical world has not only been proved in an indisputable manner and is admitted by all philosophers ( who are not crass materialists and are ...
Pagina 471
It calls atten- tion to the possible weakness of the spectator . But if the spectator is not weak , there is no reason why the work of art should not explain itself . It can only ob- tain objectivity of judgment if it does , and , if it ...
It calls atten- tion to the possible weakness of the spectator . But if the spectator is not weak , there is no reason why the work of art should not explain itself . It can only ob- tain objectivity of judgment if it does , and , if it ...
Pagina 530
Ortega y Gasset , José , The Dehumaniza- tion of Art , Princeton , 1948 . Weitz , Morris , Philosophy of the Arts , Cambridge , Mass . , 1950 , Ch . 9 . Chapter Fourteen ISOLATION AND SYNAESTHESIS On Isolation and Synaesthesis Bawden ...
Ortega y Gasset , José , The Dehumaniza- tion of Art , Princeton , 1948 . Weitz , Morris , Philosophy of the Arts , Cambridge , Mass . , 1950 , Ch . 9 . Chapter Fourteen ISOLATION AND SYNAESTHESIS On Isolation and Synaesthesis Bawden ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |