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Pagina 89
... we may take into considera- tion the fact that the demonstration of the unreality of the physical world has not only been proved in an indisputable manner and is admitted by all philosophers ( who are not crass materialists and are ...
... we may take into considera- tion the fact that the demonstration of the unreality of the physical world has not only been proved in an indisputable manner and is admitted by all philosophers ( who are not crass materialists and are ...
Pagina 471
It calls atten- tion to the possible weakness of the spectator . But if the spectator is not weak , there is no reason why the work of art should not explain itself . It can only ob- tain objectivity of judgment if it does , and , if it ...
It calls atten- tion to the possible weakness of the spectator . But if the spectator is not weak , there is no reason why the work of art should not explain itself . It can only ob- tain objectivity of judgment if it does , and , if it ...
Pagina 530
Ortega y Gasset , José , The Dehumaniza- tion of Art , Princeton , 1948 . Weitz , Morris , Philosophy of the Arts , Cambridge , Mass . , 1950 , Ch . 9 . Chapter Fourteen ISOLATION AND SYNAESTHESIS On Isolation and Synaesthesis Bawden ...
Ortega y Gasset , José , The Dehumaniza- tion of Art , Princeton , 1948 . Weitz , Morris , Philosophy of the Arts , Cambridge , Mass . , 1950 , Ch . 9 . Chapter Fourteen ISOLATION AND SYNAESTHESIS On Isolation and Synaesthesis Bawden ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give HORATIO GREENOUGH human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism painting perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce program music psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York