A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 94
... tion , here convenient , and setting aside minor and accidental determinations , romanticism asks of art , above all , the spontaneous and violent effusion of the affections , of love and hate , of anguish and jubilation , of ...
... tion , here convenient , and setting aside minor and accidental determinations , romanticism asks of art , above all , the spontaneous and violent effusion of the affections , of love and hate , of anguish and jubilation , of ...
Pagina 189
... tion of the earth , you may still miss the radiance of the sunset . There is no sub- stitute for the direct perception of the concrete fact with a high light thrown on what is relevant to its preciousness . What I mean is art ( and ...
... tion of the earth , you may still miss the radiance of the sunset . There is no sub- stitute for the direct perception of the concrete fact with a high light thrown on what is relevant to its preciousness . What I mean is art ( and ...
Pagina 479
... tion , it is a negative esthetic value and ugly to the spectator . But , as Bosanquet says , this only bespeaks a ... tion of the work . Thirdly , what if the esthetic work of art itself is lacking in complete integra- tion ? Bosanquet ...
... tion , it is a negative esthetic value and ugly to the spectator . But , as Bosanquet says , this only bespeaks a ... tion of the work . Thirdly , what if the esthetic work of art itself is lacking in complete integra- tion ? Bosanquet ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York