A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 123
... tragedy taught resignation ( that is , a meek renunciation of hap- piness , hope , and of the will to live ) , this would presuppose an art in which art itself was denied . Tragedy would then constitute a process of dissolution ; the ...
... tragedy taught resignation ( that is , a meek renunciation of hap- piness , hope , and of the will to live ) , this would presuppose an art in which art itself was denied . Tragedy would then constitute a process of dissolution ; the ...
Pagina 206
... tragedy " and " ( extant ) Greek tragedy . " The first is open and must remain so to allow for the possibility of new conditions , for example , a play in which the hero is not noble or fallen or in which there is no hero but other ...
... tragedy " and " ( extant ) Greek tragedy . " The first is open and must remain so to allow for the possibility of new conditions , for example , a play in which the hero is not noble or fallen or in which there is no hero but other ...
Pagina 489
... Tragedy has as yet perfected its proper types or not ; and whether it is to be judged in itself , or in relation also to the audience - this raises another question . Be that as it may , Tragedy - as also Comedy - was at first mere im ...
... Tragedy has as yet perfected its proper types or not ; and whether it is to be judged in itself , or in relation also to the audience - this raises another question . Be that as it may , Tragedy - as also Comedy - was at first mere im ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
11 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative Criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN Journal of Aesthetics judgment Kenyon Review kind knowledge language material meaning mind moral Morris Weitz movement nature object organic painting pattern perceived perception person phantasy Philosophy physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words York