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Pagina 123
7 What is tragic ? -Again and again I have pointed to the great misunderstanding of Aristotle in maintaining that the tragic emotions were the two depressing emotions - fear and pity . Had he been right , tragedy would be an art ...
7 What is tragic ? -Again and again I have pointed to the great misunderstanding of Aristotle in maintaining that the tragic emotions were the two depressing emotions - fear and pity . Had he been right , tragedy would be an art ...
Pagina 206
But to do this with " art " or " tragedy " or " portraiture , " etc. , is ludicrous since it forecloses on the very conditions of creativity in the arts . Of course there are legitimate and serviceable closed concepts in art .
But to do this with " art " or " tragedy " or " portraiture , " etc. , is ludicrous since it forecloses on the very conditions of creativity in the arts . Of course there are legitimate and serviceable closed concepts in art .
Pagina 489
But when Tragedy and Comedy came to light , the two classes of poets still followed their natural bent : the lampooners became writers of Comedy , and the Epic poets were succeeded by Tragedians , since the drama ...
But when Tragedy and Comedy came to light , the two classes of poets still followed their natural bent : the lampooners became writers of Comedy , and the Epic poets were succeeded by Tragedians , since the drama ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |