Dall'interno del libro
Risultati 1-3 di 82
Pagina 92
... of art as intuition , we deny that it has the character of conceptual knowledge .
Conceptual knowledge , in its true form , which is the philosophical , is always
realistic , aiming at establishing reality against unreality , or at lowering unreality
...
... of art as intuition , we deny that it has the character of conceptual knowledge .
Conceptual knowledge , in its true form , which is the philosophical , is always
realistic , aiming at establishing reality against unreality , or at lowering unreality
...
Pagina 276
Attempt to define the system of propositions into which " O Rose , thou art sick ! ”
must fit , and the logical relations which must hold between them if it is to be “
poetically true ” ; the absurdity of the theory becomes evident . We must look
further .
Attempt to define the system of propositions into which " O Rose , thou art sick ! ”
must fit , and the logical relations which must hold between them if it is to be “
poetically true ” ; the absurdity of the theory becomes evident . We must look
further .
Pagina 458
Where good sense is wanting , he is not qualified to discern the beauties of
design and reasoning , which are the highest and most excellent . Under some or
other of these imperfections , the generality of men labor ; and hence a true judge
in ...
Where good sense is wanting , he is not qualified to discern the beauties of
design and reasoning , which are the highest and most excellent . Under some or
other of these imperfections , the generality of men labor ; and hence a true judge
in ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York