A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 92
... true side , because , if art be beyond morality , the artist is neither this side of it nor that , but under its empire , insofar as he is a man who cannot withdraw him- self from the duties of man , and must look upon art itself — art ...
... true side , because , if art be beyond morality , the artist is neither this side of it nor that , but under its empire , insofar as he is a man who cannot withdraw him- self from the duties of man , and must look upon art itself — art ...
Pagina 201
... true enumer- ation of the defining properties of art , with the implication that previous theories have stressed wrong definitions . Thus , to begin with , consider a famous version of Formalist theory , that propounded by Bell and Fry ...
... true enumer- ation of the defining properties of art , with the implication that previous theories have stressed wrong definitions . Thus , to begin with , consider a famous version of Formalist theory , that propounded by Bell and Fry ...
Pagina 202
... true of art , they are also true of much that is not art , and hence fail to differentiate art from other things ; or else because they neglect some essential aspect of art . " 2 But instead of inveighing against the attempt at ...
... true of art , they are also true of much that is not art , and hence fail to differentiate art from other things ; or else because they neglect some essential aspect of art . " 2 But instead of inveighing against the attempt at ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity appreciation Aristotle artist attitude beauty Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give historical Horatio Greenough human I. A. Richards ideas illusion images imagination imitation individual integration intellectual intuition J. W. N. SULLIVAN Journal of Aesthetics judgment kind knowledge language material meaning mind moral Morris Weitz movement nature object organic organicism organicist painting perceived perception person Philosophy physical play pleasure plot poem poet poetic poetry principle produce psychological reality relation rhythm Roger Fry scientific sensation sense sentiment shape Sophocles spectator spiritual style symbols taste theory things thought tion Tragedy true truth uncon unity whole words York