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Pagina 92
Conceptual knowledge , in its true form , which is the philosophical , is always realistic , aiming at establishing reality against unreality , or at lowering unreality by including ...
Conceptual knowledge , in its true form , which is the philosophical , is always realistic , aiming at establishing reality against unreality , or at lowering unreality by including ...
Pagina 201
In each of these there is the assumption that it is the true enumeration of the defining properties of art , with the implication that previous theories have stressed wrong definitions . Thus , to begin with , consider a famous version ...
In each of these there is the assumption that it is the true enumeration of the defining properties of art , with the implication that previous theories have stressed wrong definitions . Thus , to begin with , consider a famous version ...
Pagina 202
Certainly , at one time at least it seemed to me that this organic theory constituted the one true and real definition of art . My final example is the most interesting of all , logically speaking . This is the Voluntarist theory of ...
Certainly , at one time at least it seemed to me that this organic theory constituted the one true and real definition of art . My final example is the most interesting of all , logically speaking . This is the Voluntarist theory of ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness contemplation course Criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person Philosophy physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers York
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |